About DAY COLLECTIVE

Just now i have visited the DAY
electrified world wide epiphany site,
and what an interesting
pair of collectives you are, gathering
seeds, tools, education, performances
and conceptions on your way
from east to the west,
gentle and spirited, i like it ;-)
-Istvan

As someone who loves and deals with literature, I can say that languages not only build bridges between people, they also build walls and borders. This is especially so in languages other than native language. You have as much freedom to act as the number of words and language skills you have… However, which words can be more effective than a person's eyes and body? What language can suffice to express the depth of a soul?..

That's why I highly value and find your silence and body-centered projects so meaningful. Because in silence, status, poverty, and wealth, local and foreign are lost. Silence is instructive. Silence is listening, smelling, feeling, getting excited and understanding. Silence is equality…
- Murad

About SOFT EDGES INSTALLATION

…I feel so strongly you together have accomplished already build a space, as well physical and energetical, to create the complementary: a holding structure of light and brightness and so grounded. So you are already with your being, life, art, the complementary to all this darkness. Sharing it with others.
…
As we were sitting in the space,
eating your lovely, simple and energising food, on cushions filled with the richness of mother nature, so that we sit nicely warm and firm, and around us this ring of authenticity=beauty of your drawings, lit by the generous daylight coming into your space, and around the world with the biking people and all, I felt the space is such a complete package of space, light, energy, you, like a bowl able to contain all fruits of life: raw and ripe, dark and light. It would be so good to install such spaces as a whole of space, light, drawings, you, on more then one place. You, keeping on drawing and setting up these spaces of encounter all over the world.
- Pien Vrijhof

About SOFT SCULPTURE

This is absolutely one of the most sensitive creative and therapeutic artwork ever. You both created a very special art collective that gives light, comfort and creativity insights to anyone that comes your way. You are so blessed.
Much love and appreciation from me. 
-Dafna Rehavia

About FULL MOON RITUAL

A unique experience! A return to the primitive essence of the one, of unity! Personally, it was an opening of inner doors linked to my ancestral memories. A feeling of peace, connection to Mother Earth and the moon in all its beauty and power! A celebration of simplicity, of the essential. Without forgetting the marvelous synchronicities of the energies moving between nature and between us, with fluid and playful movements, unexpected jokes from the moon, and an amazing big falling star at the end Going back to rediscovering that intuitive play, that authenticity of being and devotion to the imperceptible. Simply lovely. Absolutely recommended! Thank you.
-Guliana Suriano on Full Moon Ritual

About NOMADIC PICNIC

The Nomadic Picnics offer an interesting opportunity to study alternative ways in which people can interact, experience intimacy, and even sensuality with others — even though they may have never met before.
-Rens Wilderom on Nomadic Picnic

Thank you for letting me experience such an amazing art piece. It was a beautiful performance with great interactions and I enjoyed every piece. I found the location very interesting, because the space between the artworks in the room made the experience more intense. The food was very tasty. The sitting mats also worked very well. They were comfy and easy to move around the space. About the food and interaction I have something important to say. I completely didn’t expect this performance could evoke feelings about my psychological trauma which is related to food and child abuse. I don’t want to scare you off with this information. But your performance had a therapeutical effect on me. I was extremely surprised by this, because only the best psychologists can create this same effect. So thank you for this extra experience.
- Consuela on Nomadic Picnic

¨I really enjoyed experiencing the Nomadic Picnic! I really liked
how it was so intuitive for participants. Very special how
we found ourselves in a sort of different habitat over time,
without talking. For me at some point the surroundings started
to blend in with the experience. The texts from the exhibition panels
that I could still read from where I sat got a different meaning
by how we were interacting and moving through and experiencing
the space in such a different way. Sitting on the floor, waiting,
not sure what is going to happen and just letting things happen
and blending in makes your mind quite open I guess,
so from there one could even introduce topics to think about. ¨
-Elisa on Nomadic Picnic

¨First of all, I'm not a very 'touchy' person, so that aspect
of the experience kind of made me uncomfortable. But during
the performance I slowly accepted the situation and just got used to it.
The same goes for sharing the food with practically complete strangers,
not exactly something I do everyday… The combination of touching one another and at the same time eating and sharing food was strange. It definitely grossed me out a little bit at first, but then (like with the touching)
I got over myself. I started to question why I experienced it as being such a ‘gross’ act, it wasn’t like we were dirty or anything. It was just new and unfamiliar. I liked the silence. I was kind of surprised at the connections I started to notice (or thought I noticed anyway...) between people, even though I didn't really know anyone there. Because of the silence other forms of
communication became more apparent/came to the foreground. It was just nice to sit there and be able to observe (and be observed), and to get to know each other in a complete different manner from what I’m used to. The food
functioned for me like an icebreaker…something to start the conversation, albeit it was a non-verbal one.I noticed a kind of giggly tension in the air, or maybe it was just I, and when the first food course came I just thought the whole thing looked really funny. I don’t know if it was meant that way, but for the rest of the performance I mostly enjoyed the food parade for it’s ridiculousness/playfulness etc. I’ve definitely never experienced food like that. (Weird upside down mushroom UFO? That was great). I liked the contrast between the serious, regal manner, in which the food courses were brought to me/to us, and the bizarrely composed food parts, or the bizarre way in which we were directed to consume them… Through sharing this with strangers
I felt afterwards like I got to know them a little bit, just from the way that I watched them react so certain things. I don’t really have anything to say about the duration of the performance, the aspect of time. It wasn’t to long, it wasn’t to short. It kind of flew by, but at the same time there was no rush. For the time being I enjoyed sitting, moving and staying on and in the realm of
the mats (they were surprisingly pleasantly comfortable). The switching from mat to mat was really a thing. It almost felt as we were inventing new conventions
regarding courtliness/civility, as we know it/politeness.(“When a respected member of the community stands up from their mat and offers you to switch, you switch with them full of gratitude! A bond has been struck forever!” etc. ~ imagined dystopian community). ¨

-Dorota Dabrowska on Nomadic Picnic